Art Pick Of The WeeK

I'm having a crazy week. How 'bout you? Well, this is gonna be short & sweet, but this week's pick is "FREESTYLE" at Fabien Castanier Gallery in Studio City. Just go! But if you require more of a catalyst, check out my article for Cartwheel.

Trust me!

Art Pick(s) Of The Week

Let's get this out of the way right of the bat, YES, I have a dog in this race. Gallery 3 is celebrating it's first year run in Reno with a group show, in which I have a few pieces.

In addition to a few selections from my solo show back in March, Gallery 3 will also be unveiling a new piece,  "Territorial Pissings".

But hey, ANY show with Chad Sweet, Rowland1964, and Joe C. Rock in it, is going to be worth your time! The show runs from August 10th to September 27th.

Elsewhere, for Angelenos who can't venture out to the Pacific Northwest, there's a sublime group show at Lebasse Projects (Chinatown) curated by Jessicka Addams & Brian Wakil. MiXTAPE LA features the likes of Tara McPherson, Camille Rose Garcia, Mark Ryden, Gary Baseman, France Bean Cobain, Fairuza Balk, and Lindsey Way just to name a few, all bringing art to bear on favorite songs they have each chosen. You can read my review at Cartwheel. This show is open selectively August 4th - 28th.

For a twisted look inside the Disney mythos, there's also Rodolfo Loaiza's "DISASTERLAND" at La Luz De Jesus Gallery running August 3rd - 26th. My Cartwheel review of that will be forthcoming.

Then on Saturday, August 11th,  a duo show featuring the stunning work of Nicola Verlato, and Vonn Sumner opens at Merry Karnowsky Gallery and runs through September 1st.

So, don't tell me there's nothing to do. I won't hear of it!

5 (MORE) Questions With RON ENGLISH

One of the limitations of the 5 Question interview format, is that it doesn't allow for a lot of give and take. You have to try to cover as much ground as you can in only five attempts. It's a challenge that I welcome, but it inevitably leaves me with regret. Sometimes the answers just end up raising more questions. Such was the case with the Ron English chat we had back in March. He mentioned working with Chris Brown on a toy project. The release of said toy has caused some controversy, and even led some of his artistic peers to cry "sell out" and "hypocrite".

Look...Ron English didn't have to talk about this with me, or anyone for that matter. But he has, and I can't help but respect him for it. Here's how it went:

1) Back in March, you mentioned collaborating with Chris Brown. Now, even Rihanna has recently worked with him, but somehow I'm more surprised that you did. Tara McPherson (who you gave a shout-out to in the same blog) has been frequently tweeting her disappointment. Frank Kozik has joined in as well. Did you have any reservations about working with someone who has come to exemplify domestic violence?

Ron: When I was young I might have stolen a car or something like that but I was allowed a second chance and I believe I took advantage of that and my life since then has been pretty positive.Had I continued that behavior I would not have expected continued forgiveness nor would I be so forgiving of anyone who continued such antisocial behavior. I do intend to start tweeting this week, as much as I loath the inconvenience. I can't let Frank have the last word. (my tag is ronenglishart)

 2) Since we last talked, Thomas Kinkade and Leroy Neiman have passed away. Both of whom made vast sums of money by mass-marketing their "brand" of "art". Do you think it's possible for an artist to be hugely successful and still retain a modicum of integrity...or is success the art?

 Ron: Thomas Kinkade painted what people wanted to see; I paint what I want people to see. Both approaches have their own integrity, or if you prefer, lack of integrity. I'm put off by people who judge art by its price tag and also by those who equate poverty with integrity.

3) You've been sued by Disney, King Features, and KISS. Yet you've NEVER lost a lawsuit?! Who is your lawyer?

Ron: I think I have a great lawyer, but he's doesn't have to be great because his client hasn't broken any copyright laws.

  4) What was the last billboard you did? And are the billboard companies still unwilling to sell you space?

Ron: I did one in London over the weekend but they built the billboard for me at the London Pleasure Gardens and I painted it, no billboard company was involved. My obsession with billboards has dissipated to some extent.

 5) Are you Banksy?

Ron: I thought you were Banksy!

Thanks Ron. I hope I didn't put you off with the questions . I'm pretty sure I'm destined to a life of poverty, but I know that doesn't mean I have integrity.

Ron: Having art sell for a lot of money or not at all does not affect the quality of the art whatsoever. That's all I was saying. I'd rather be poor with my own sense of integrity than a rich prostitute.

'Nuff said!

5 Questions With JENNIFER J. JELENSKI

I will, for the rest of my days, be plagued and pricked by the thorns of a particular decision I made regarding Jennifer J. Jelenski. In August of 2008, my wife and I went to the "Cream Of The Crop" show at La Luz de Jesus. My better half was drawn to the work of JAW Cooper. I was pulled toward Jennifer J. Jelenski's paintings. One, in particular, I coveted, called "Teething Ring".

We admired both women's work, but after much discussion, we ultimately brought home a few JAW Cooper pieces. Leaving "Teething Ring" on the wall, to be purchased (I would find out later) by Morgan Spurlock. As much as I love Jessica Cooper's work, I still think about "Teething Ring"...with more than just a tinge of regret.

I've kept an eye out for Jelenski ever since. Fortuitously, La Luz seems to have embraced her with open arms. She has been featured in several group shows there, and was even selected to be in the stunning La Luz de Jesus 25 retrospective (show and book).

Jelenski's art seems to exist in the clouds, which is not to say a rarefied air, but rather a fluffy white bed of comfort. Inviting, yet mysterious and distant. The titles often raise more questions then they answer: "Purple Monkey Dishwasher", "Honey & Rutting Victrola". Her creatures may be armed and wrathful, but they are also pretty damn cuddly. She seems to constantly be playing two sides against each other. Not lowbrow, and not quite pop surrealism, yet both at once. Her paintings are complex, in a simple way. Chaotic, but orderly. Cute, and menacing. Fun, yet deadly serious. This is art obsessed with BALANCE. I'm a huge fan!

Jennifer J. Jelenski is an intensely private person, so I'm thrilled and honored that she would agree to do this (infrequent) feature on my humble little blog. Here's what she had to say:

1) Your images are often assembled in the shape of a Mandala, and seem to draw a lot of inspiration from Hindu art, and I know you practice yoga.What can you tell me about the bats, bunnies, and monkeys?

Jennifer: "Tibetan Art from the 12th -17th century is a tremendous source of inspiration for me.
This art shares stories. My hope is to bring people closer to finding these stories for themselves.
The animals I work with are meant to be cute. Endearing warm fuzzies invoke a very similar feeling as compassion.
Many people believe we naturally can not be compassionate and that work must be done to enable ones self to become compassionate.
My hope is to trick folks into unlocking this super power!
Yoga is a physical expression of my creativity, prayer in motion, as well as a great way to balance such a sedentary lifestyle."

 2) One of the astounding things about your work, for me, is that you paint complex, intricate fields of color that are bordered by head-scratchingly clean, and consistent line-weights.How on Earth do you achieve that crisp line?

Jennifer: "Thank you!!
A few things I do to achieve such a look are:
Never work wet on wet.
Wear jeweler's glasses while working.
I give my paintings plenty of time to dry.
Apply many many layers of paint.
Use sandpaper to remove any offending textures.
And I use the best tools I can afford and replace worn out tools often.
(I go through 4 dozen brushes or more a year)"



3) How long do you typically work on a sketch, before you're ready to paint, and (sneaking in an extra question) are you brand loyal with paint?

Jennifer: "I may work a drawing or idea for months.
They all start out small.
As a composition develops, I'll draw it over and over.
Until I feel it's problems are resolved to the best of my ability.

I use mostly Golden acrylics.
After an image is drawn onto a canvas, I'll mix my pallet.
Then pour the mixed colors into wee plastic pots.
The colors stay fresh for a year this way.
While I'm working I put a few brushes full of the mixed color into an Ink pot.
Mix this with a bit of gel medium, GAC, and water to begin painting.
I want a lite, creamy texture that is never runny or pasty."

4) I ask everyone this.What are you listening to while you work?

Jennifer: "My tunes!!!!!
Currently I listen to:
Lots of Biosphere. Lots of Lustmord.
Atticus Ross, Book of Eli sound track
Atticus Ross and Trent Reznor, Girl with the Dragon Tattoo sound track

My most recent fixation,
Ambient Metal!
For this genre I like:
Jakob, Subsets of SetJakob, Cale:DrewJakob, SolaceIsis, Panopticon (love the track 'In Fiction')
Pelican, What We All Come To Need (#1 fave tune of the moment, The Creeper)"

 5) You seem to be a big kid at heart.What's your favorite children's novel?

Jennifer: "I'm an avid reader, but I haven't read any children's books in a very long time.
Stories that I adored when I was young and still do today would be:
Benjamin Bunny, Beatrix Potter
The Hobbit, J.R.Tolkien

Keith, Thank you so much for this opportunity to share with your readers."

No...Thank You Jennifer!

Jennifer J. Jelenski is primarily self-taught. She is a former doll-maker, tattoo and make-up artist. While she steadfastly refuses to dwell on the past, she has begrudgingly permitted me to say that she has shown her art at Rosemary's Billy Goat Odditorium, Blue Rooster, The Hive, and Cannibal Flower, in addition to La Luz de Jesus Gallery. She has exhibited alongside such luminaries as Gary Baseman, Matjames Metson, Clayton Brothers, Nathan Ota, Chris Mars, Isabel Samaras and others...and fiercely held her own !

I will keep you all posted on any future Jelenski shows.

~KrossD
6/18/2012


All images courtesy of Jennifer J. Jelenski

5 Questions with RON ENGLISH

I have to confess, I'm guilty. I've surrendered my cash (and health) to just about all the monsters that Ron English relentlessly wages art war on. I haven't been to a McDonald's in years, but when I drive by one I can still taste the Quarter Pounder With Cheese, and the oily fries. I own a few Disney movies on Blu-Ray. I smoke. When I was thirteen, I was a card carrying member of the KISS ARMY. Guilty as sin.

Having said that, I'm also aware enough to see the blistering truth in English's work. As far as I'm concerned, he's one of the most important artists working today. I assume anyone reading this blog already knows who Ron English is. He's among the finest guerilla artists of our time. His solo show "Seasons In Superbia" at the Corey Helford Gallery was the best exhibit I saw last year. He was just immortalized on The Simpsons for chrissakes! So, you can imagine my excitement when he answered the phone and agreed to do "5 Questions". Here's the thing though, if you had a chance to ask Goya five questions, it wouldn't be enough. You'd immediately want five more, and five more after that...and on and on. So I may have to start a new "5 More Questions" feature soon.

At any rate, here's how it went:

1) Your transition from photographer to "hyper-realist" painter seemed to happen effortlessly, and at lightning speed. Was there much of a learning curve, or were you able to hone your painting skills without much struggle?

Ron: Someone once told me that if you can draw, you can paint. I had been drawing photorealistic pieces on cardboard and staging them as environments in my photographs. I thought painting would be easy. The first painting I ever made, I sold. It was of Saint Basel's Cathedral. I was eight. A teacher bought it to show her students what an eight year old could do. But as far as New York Art World level painting, I really wasn't on terra firma until I was around 30 years old, four years after I began my quest to become a painter. I still struggle.

2) Have Disney and/or McDonald's ever tried to hire you?

Ron: I did art for The ESPN Zone in NYC. It was a series of 30 paintings that were mash-ups of art history and sports history. I also did a colab Stitch figure with Disney and a colab Mad Hatter figure. I brought 40 clowns to lunch at McDonald's, but they didn't try to hire me then or ever. Do you have any contacts at McDonald's? I was just thinking my little fat Ronalds would go good in Happy Meals. I'm sure they would be all about that.

3) Are you a KISS fan, or do you consider them emblematic of the insidious culture of branding?

Ron: Well, they probably merched out better than any band since The Beatles. Actually they probably have more merch than The Beatles ever dreamed of and you can bet your bottom dollar Gene gets his fair share of the profits. If I were a young band I would study my Kisstory.  It's really hard to make money off your music these days and having a lot of collectable merch available could help a lot. Personally I love little collectable chotchkies and would be pretty stoked if a band I love like MSI released little characters of themselves designed by an artist like Tara McPherson or Jeremy Fish. That would be cool, right?  I have a toy coming out with Chris Brown and a bust with Slash this year. I would love to do something with The Apples in Stereo or The Dandy Warhols. I have a band too, The Electric Illuminati. Maybe I should listen to my own advice and do an EI toy!

4) There was a painting in SEASONS IN SUPERBIA that had a tiny little Warhol skull framed and hanging inside a doll house. There were these little white blotches across it. It's really been bugging me. Was that an accident...or am I missing your intent?

Ron: It is supposed to be reflections from lit windows in another building. Probably too confusing.

5) Assuming you have an iPod, what song has the highest play count?

Ron: The Eels' "Mr. E's Beautiful Blues".

Thanks Ron!

All photos taken at The Corey Helford Gallery by KrossD

KrossD at GALLERY 3

                                                                 Hey! That's me!

THE COUNTDOWN BEGINS